Обращаюсь к вам как к киноманам. Если кто-нибудь знает, из какого фильма данный кадр, то умоляю, напишите название в комментах. Вы просто меня спасете. Заранее спасибо
Думаю, что это один из тех фильмов в которых снимается Клинт Иствуд. Больше, к сожалению, сказать ничего не могу, т.к. поклонником этого жанра не являюсь. Может это поможет: www.zvezdi.ru/kino/F/klintfilmo.html
1966 Хороший, Плохой, Злой /The Good, the Bad and the Ugly /
Plot Synopsis by Yuri German
In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents -- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release.
The last and grandest film in the "Dollars" trilogy, Sergio Leone's The Good, The Bad and the Ugly (1966) is actually a prequel, featuring Clint Eastwood's serape-less Blondie in a search for stolen gold during the Civil War. While the titular trio's quest seems simple, Leone renders the proceedings epic through the constant intrusions of a chaotic, war-torn universe. Rather than an ideal space, Leone's widescreen desiccated western landscape is a harsh environment ruled by brutality, but, as Eastwood's ironically labeled "Good" affirms upon witnessing a fruitless military battle, state-sanctioned bloodshed is even more destructive than individual venality. Still, Blondie's dry wit and Eli Wallach's buffoonish "Ugly" inject the violence with dark humor, while Ennio Morricone's famed score alternates between stately and tongue-in-cheek. In a final shootout set in an enormous circular cemetery and composed of extreme close-ups of the three leads, Leone sends Eastwood's Man With No Name out on a properly operatic yet wry note. The "good" triumphs, but, in Leone's West, it's all relative. Greeted with critical disdain for its stylistic flourishes and sadism, The Good, The Bad, and the Ugly became a hit, and Leone's artistic influence can be seen from Eastwood's directorial work to John Woo's action theatrics.
Cast
Clint Eastwood - The Good Eli Wallach - Tuco, the Ugly Lee Van Cleef - The Bad Aldo Giuffré Rada Rassimov Mario Brega Luigi Pistilli Sandro Scarchelli Claudio Scarchelli Aldo Sambrell Benito Stefanelli Silvana Bacci Chelo Alonso Enzo Petito Sergio Mendizabal Antonio Casas Livio Lorenzon
1966 Хороший, Плохой, Злой /The Good, the Bad and the Ugly /
Plot Synopsis by Yuri German
In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents -- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release.
The last and grandest film in the "Dollars" trilogy, Sergio Leone's The Good, The Bad and the Ugly (1966) is actually a prequel, featuring Clint Eastwood's serape-less Blondie in a search for stolen gold during the Civil War. While the titular trio's quest seems simple, Leone renders the proceedings epic through the constant intrusions of a chaotic, war-torn universe. Rather than an ideal space, Leone's widescreen desiccated western landscape is a harsh environment ruled by brutality, but, as Eastwood's ironically labeled "Good" affirms upon witnessing a fruitless military battle, state-sanctioned bloodshed is even more destructive than individual venality. Still, Blondie's dry wit and Eli Wallach's buffoonish "Ugly" inject the violence with dark humor, while Ennio Morricone's famed score alternates between stately and tongue-in-cheek. In a final shootout set in an enormous circular cemetery and composed of extreme close-ups of the three leads, Leone sends Eastwood's Man With No Name out on a properly operatic yet wry note. The "good" triumphs, but, in Leone's West, it's all relative. Greeted with critical disdain for its stylistic flourishes and sadism, The Good, The Bad, and the Ugly became a hit, and Leone's artistic influence can be seen from Eastwood's directorial work to John Woo's action theatrics.
Cast
Clint Eastwood - The Good
Eli Wallach - Tuco, the Ugly
Lee Van Cleef - The Bad
Aldo Giuffré
Rada Rassimov
Mario Brega
Luigi Pistilli
Sandro Scarchelli
Claudio Scarchelli
Aldo Sambrell
Benito Stefanelli
Silvana Bacci
Chelo Alonso
Enzo Petito
Sergio Mendizabal
Antonio Casas
Livio Lorenzon